Popcorn Flicks has a developed network in Film & Entertainment Industry worldwide with our films & filmed content screened at prestigious cinemas worldwide (including legendary, Village East Cinemas, New York), Roku channels and reputed OTT's. Our feature films have been successfully executed for our investors in their budget, winning international applause & fame. Few titles are 69 Opposites Attract, Honey Kapoor Origins, Smile, I Am A Love Addict, Marriage Mantra, Virgin.. Mira, kSutra, Mast Curry, Honey Kapoor #YoLo, Kalpana, Nude Yoga, Girl With No Tatoo, SeductreX and Happiness Yoga.
- With a developed network we safeguard two major concerns of any producer or film-investor: 1. Completion and 2. Release
The importance of completion & release of a film or filmed content can be determined
from this article "Movies Interrupted" - click on it for full article
Popcorn Flicks, other than Completion and Release, offers any producer/investor, following 6-pointers to invest in our films or filmed content.
Previous Track Record 100% record of completion of films or filmed content.
Successful screenings We have had screenings of our films & filmed content at prestigious film festivals and film markets worldwide.
Value for money No other production-house can give manifold benefits in a modest budget.
No cost over-runs No haggling regarding increase or escalation in budget.
Forge further tie-ups and alliances
Long term association We want to forge a long term association with all our producers/investors and are definitely not looking at a mere, 1-off film.
Minimal Risk Model - Wise say, it's best to test a business by starting small. To cut down the risk & limit the losses of any aspiring or potential producers/investors that want to try and invest in the Film Industry worldwide, with a nominal amount, Popcorn Flicks has introduced - Minimal Risk Model. In this model, loss if any, is set to a preset amount of Rs.15lacs (USD 21.000). The investor gets credit of Co-Producer on the film or filmed content. This amount is equivalent to the cost, many aspiring or potential producers/investors spend in a year over coffee on meetings for prospective film-projects, often with no output.
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